Film Analysis: Band Frontman Jason Williamson Assumes Role in Critical Look at Ecstasy Generation Era
Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged if undernourished debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Poacher denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it leads to a comically executed chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in British and Irish theaters from November 17.
